Roger Kimball noted conservative and art critic, likes the NEA increase.
Under normal circumstances, the White House announcement that the president was seeking a big budget increase for the National Endowment for the Arts might have been grounds for dismay. Pronounce the acronym “NEA,” and most people think Robert Mapplethorpe, photographs of crucifixes floating in urine, and performance artists prancing about naked, smeared with chocolate, and skirling about the evils of patriarchy.
Thanks, but no thanks.
But things have changed, and changed for the better at the NEA. The reason can be summed up in two trochees: Dana Gioia, the distinguished poet and critic who is the Endowment’s new chairman.
Within a matter of months, Mr. Gioia has transformed that moribund institution into a vibrant force for the preservation and transmission of artistic culture. He has cut out the cutting edge and put back the art. Instead of supporting repellent “transgressive” freaks, he has instituted an important new program to bring Shakespeare to communities across America. And by Shakespeare I mean Shakespeare, not some PoMo rendition that portrays Hamlet in drag or sets A Midsummer Night’s Dream in a concentration camp. (Check the website Shakespeare In American Communities for more information.)